Metalstorm/Face The Slayer Slayer
Lyrics
Face the Slayer
Slayer
Metal Storm/Face the Slayer
Show No Mercy
Tabbed by Mike Kimball
If it looks
such as Courier or Monaco, size 12, with 6" line width.
Fig. 1
|------------------------------------------------------------
|------------------------------------------------------------
|------------------9-----------4---5-------5-------7-------2-
|------------------9-----------4---5-------5-------7-------2-
|------------------7-----------2---3-------3-------5-------0-
|--0-0-0-0-0---0---------------------------------------------
|------------------------------------------------------------
|------------------------------------------------------------
|------------------9-----------4---5-------5-------12-----11-
|------------------9-----------4---5-------5-------12-----11-
|------------------7-----------2---3-------3-------10-----*9-
|--0-0-0-0-0---0---------------------------------------------
Fig. 2
[Gtr. 1]
|--------------------------------------------|
|--------------------------------------------|
|--------------------------------------------|
|--7------7-8----7---------------------------|
|----8-10-----10---8-10-7-8----7------7-8----|
|---------------------------10---8-10-----10-|
[Gtr. 2]
|--------------------------------------------------|
|--------------------------------------------------|
|--9-------9-10----9-------------------------------|
|----10-12------12---10-12-9-10----9-------9-10----|
|-------------------------------12---10-12------12-|
|--------------------------------------------------|
[power chords *root 6th string*]
A ... A ... A ... A ... G _ A ... A ... F ... G ...
A ... F ... G ... A ... A ... A .....
Fig. 3
|----------------------|-------------------------
|----------------------|-------------------------
|--------------------5-|-[----Power chords-------
|--7-----7-----7-----5-|-------------------------
|--0-0-0-0-0-0-0-0-0---|-
|----------------------|-------------------------
|--------------------------
|--------------------------
|------------------------]-
|--------------------------
|--------------------
|--
Fig. 4
|----------------------------------------------------
|----------------------------------------------------
|--9-----9-----9-----9-----10-----7-----9-----5------
|--9-----9-----9-----9-----10-----7-----9-----5------
|--7-----7-----7-----7-----*8-----5-----7-----3------
|----0-0---0-0---0-0---0-0----0-0---0-0---0-0---0-0--
Fig. 5
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|--------------7-------7---8-------------------7-----
|--0---0-0-0-------------------0---0---0-0-0---------
|------------||-----------------
|------------||-----------------
|------------||--------------3--
|------------||--------------3--
|--7---------||--------------1--
|------8---7-||--0---0-0-0------
Fig. 6
|--------------------------------------------------
|--------------------------------------------------
|--7-----------7-------------------7-----------10--
|--7-----------8-------------------7-----------*8--
|------0-0-0-------0-0-0-0-0-0-0-0-----0-0-0-------
|--------------------------------------------------
|------------------||----------------------------------
|------------------||----------------------------------
|------------------||--7-----------7-------------------
|------------------||--7-----------8-------------------
|--0-0-0-0-0-0-0-0-||------0-0-0-------0-0-0-0-0-0-0-0-
|------------------||----------------------------------
|---------------------------------
|---------------------------------
|--9------------------------------
|--7------------------------------
|------0-0-0-------7---8---7------
|--------------8---------------8--
Fig. 7 [solo]
|-------------------------------------------------
|-------------------------------------------------
|--7-----------5-------------------4-----------5--
|--7-----------5-------------------4-----------5--
|------0-0-0-------0-0-0-0-0-0-0-0-----0-0-0------
|-------------------------------------------------
|------------------|| ||
|------------------|| ||
|------------------|| [power chords] ||
|------------------|| ||
|--0-0-0-0-0-0-0-0-||
|------------------|| A ||
Fig. 8
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|--5-5-5-5-5-5-8-8-8-8-8-8-7-7-7-7-7-7---------------
|--------------------------------------8-8-8-5-5-5---
Fig. 9
|--------------------------
|--------------------------
|--------------------2-----
|--------------2-------3-2-
|--------2-------3-0-------
|--0-2-3---3-0-------------
Fig. 10
|--------------||----------------------------------------
|--------------||----------------------------------------
|--------------||--------------------------5-------------
|---------2----||--------------2-----------5-----5-----2-
|---------2----||--3^2---2-3-5-2-----------3-----5-----2-
|--0-2-3--0----||------3-------0-----------------3-----0-
Fig. 11
|----------------------||--------------------------
|----------------------||--------------------------
|----------------------||--------------------------
|--------------------5-||--------------8^7---7-----
|--5^7---5^7---5^7---5-||--5^7---5^7-------8---8^7-
|------0-----0-----0---||------0-----0-------------
Fig. 12
|--
|--[power chords]
|--
|--
|--
|--
Fig. 13
|----------------------------------------------
|----------------------------------------------
|--------------------5-----------------------8-
|--7-----7-----7-----5-----7-----7-----7-----8-
|--0-0-0-0-0-0-0-0-0-------0-0-0-0-0-0-0-0-0---
|----------------------------------------------
|-----------------------------------------------
|-----------------------------------------------
|--------------------10----------------------12-
|--7-----7-----7-----10----7-----7-----7-----12-
|--0-0-0-0-0-0-0-0-0-------0-0-0-0-0-0-0-0-0----
|-----------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|--------------------5---------8---------10---------12-
|--7-----7-----7-----5---7-----8---7-----10---7-----12-
|--0-0-0-0-0-0-0-0-0-----0-0-0-----0-0-0------0-0-0----
|------------------------------------------------------
Fig. 14
[gtr. 1]
|-----------------------------------------------------------
|-----------------------------------------------------------
|--12-14-15-12-14----12-------------------------------------
|-----------------15----14-15-12-14----12-14-15-12-14-------
|-----------------------------------15----------------15-12-
|-----------------------------------------------------------
[gtr. 2]
|-----------------------------------------------------------
|-----------------------------------------------------------
|-----------------------------------------------------------
|--12-14-15-12-14----12-------------------------------------
|-----------------15----14-15-12-14----12-14-15-12-14----12-
|-----------------------------------15----------------15----
Slayer
Metal Storm/Face the Slayer
Show No Mercy
Tabbed by Mike Kimball
If it looks
Fm
***ed up, try changing the font to something non-proportional,such as Courier or Monaco, size 12, with 6" line width.
Fig. 1
|------------------------------------------------------------
|------------------------------------------------------------
|------------------9-----------4---5-------5-------7-------2-
|------------------9-----------4---5-------5-------7-------2-
|------------------7-----------2---3-------3-------5-------0-
|--0-0-0-0-0---0---------------------------------------------
|------------------------------------------------------------
|------------------------------------------------------------
|------------------9-----------4---5-------5-------12-----11-
|------------------9-----------4---5-------5-------12-----11-
|------------------7-----------2---3-------3-------10-----*9-
|--0-0-0-0-0---0---------------------------------------------
Fig. 2
[Gtr. 1]
|--------------------------------------------|
|--------------------------------------------|
|--------------------------------------------|
|--7------7-8----7---------------------------|
|----8-10-----10---8-10-7-8----7------7-8----|
|---------------------------10---8-10-----10-|
[Gtr. 2]
|--------------------------------------------------|
|--------------------------------------------------|
|--9-------9-10----9-------------------------------|
|----10-12------12---10-12-9-10----9-------9-10----|
|-------------------------------12---10-12------12-|
|--------------------------------------------------|
[power chords *root 6th string*]
A ... A ... A ... A ... G _ A ... A ... F ... G ...
A ... F ... G ... A ... A ... A .....
Fig. 3
|----------------------|-------------------------
|----------------------|-------------------------
|--------------------5-|-[----Power chords-------
|--7-----7-----7-----5-|-------------------------
|--0-0-0-0-0-0-0-0-0---|-
D
-D
-D
-D
-D
-D
-F-
----E-----|----------------------|-------------------------
|--------------------------
|--------------------------
|------------------------]-
|--------------------------
|--------------------
C-
----|--
G
-G
-G
-G
-G
-G
-A-----------Fig. 4
|----------------------------------------------------
|----------------------------------------------------
|--9-----9-----9-----9-----10-----7-----9-----5------
|--9-----9-----9-----9-----10-----7-----9-----5------
|--7-----7-----7-----7-----*8-----5-----7-----3------
|----0-0---0-0---0-0---0-0----0-0---0-0---0-0---0-0--
Fig. 5
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|--------------7-------7---8-------------------7-----
|--0---0-0-0-------------------0---0---0-0-0---------
|------------||-----------------
|------------||-----------------
|------------||--------------3--
|------------||--------------3--
|--7---------||--------------1--
|------8---7-||--0---0-0-0------
Fig. 6
|--------------------------------------------------
|--------------------------------------------------
|--7-----------7-------------------7-----------10--
|--7-----------8-------------------7-----------*8--
|------0-0-0-------0-0-0-0-0-0-0-0-----0-0-0-------
|--------------------------------------------------
|------------------||----------------------------------
|------------------||----------------------------------
|------------------||--7-----------7-------------------
|------------------||--7-----------8-------------------
|--0-0-0-0-0-0-0-0-||------0-0-0-------0-0-0-0-0-0-0-0-
|------------------||----------------------------------
|---------------------------------
|---------------------------------
|--9------------------------------
|--7------------------------------
|------0-0-0-------7---8---7------
|--------------8---------------8--
Fig. 7 [solo]
|-------------------------------------------------
|-------------------------------------------------
|--7-----------5-------------------4-----------5--
|--7-----------5-------------------4-----------5--
|------0-0-0-------0-0-0-0-0-0-0-0-----0-0-0------
|-------------------------------------------------
|------------------|| ||
|------------------|| ||
|------------------|| [power chords] ||
|------------------|| ||
|--0-0-0-0-0-0-0-0-||
D-
--F-
--E-
--C-
-- |||------------------|| A ||
Fig. 8
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|--5-5-5-5-5-5-8-8-8-8-8-8-7-7-7-7-7-7---------------
|--------------------------------------8-8-8-5-5-5---
Fig. 9
|--------------------------
|--------------------------
|--------------------2-----
|--------------2-------3-2-
|--------2-------3-0-------
|--0-2-3---3-0-------------
Fig. 10
|--------------||----------------------------------------
|--------------||----------------------------------------
|--------------||--------------------------5-------------
|---------2----||--------------2-----------5-----5-----2-
|---------2----||--3^2---2-3-5-2-----------3-----5-----2-
|--0-2-3--0----||------3-------0-----------------3-----0-
Fig. 11
|----------------------||--------------------------
|----------------------||--------------------------
|----------------------||--------------------------
|--------------------5-||--------------8^7---7-----
|--5^7---5^7---5^7---5-||--5^7---5^7-------8---8^7-
|------0-----0-----0---||------0-----0-------------
Fig. 12
|--
|--[power chords]
|--
|--
|--
B
-B
-B
-B
-B
-B
-D-
----C#-
--- A-
----|--
E
-E
-E
-E
-E
-E
-F#----Fig. 13
|----------------------------------------------
|----------------------------------------------
|--------------------5-----------------------8-
|--7-----7-----7-----5-----7-----7-----7-----8-
|--0-0-0-0-0-0-0-0-0-------0-0-0-0-0-0-0-0-0---
|----------------------------------------------
|-----------------------------------------------
|-----------------------------------------------
|--------------------10----------------------12-
|--7-----7-----7-----10----7-----7-----7-----12-
|--0-0-0-0-0-0-0-0-0-------0-0-0-0-0-0-0-0-0----
|-----------------------------------------------
|------------------------------------------------------
|------------------------------------------------------
|--------------------5---------8---------10---------12-
|--7-----7-----7-----5---7-----8---7-----10---7-----12-
|--0-0-0-0-0-0-0-0-0-----0-0-0-----0-0-0------0-0-0----
|------------------------------------------------------
Fig. 14
[gtr. 1]
|-----------------------------------------------------------
|-----------------------------------------------------------
|--12-14-15-12-14----12-------------------------------------
|-----------------15----14-15-12-14----12-14-15-12-14-------
|-----------------------------------15----------------15-12-
|-----------------------------------------------------------
[gtr. 2]
|-----------------------------------------------------------
|-----------------------------------------------------------
|-----------------------------------------------------------
|--12-14-15-12-14----12-------------------------------------
|-----------------15----14-15-12-14----12-14-15-12-14----12-
|-----------------------------------15----------------15----
contributions:
Most popular songs Slayer
- 11 Dittohead
- 12 Expendable Youth
- 13 Spirit In Black
- 14 Blood Red
- 15 South Of Heaven
- 16 Necrophilliac
- 17 Kill Again
- 18 Hell Awaits
- 19 Haunting The Chapel
- 20 Captor Of Sin