Captor Of Sin Slayer
Lyrics
Slayer
Captor of Sin
Haunting the Chapel
Tabbed by Mike Kimball
If it looks
non-proportional, such as Courier or Monaco, size 12, with 6" line width.
Fig. 1
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|--------------------------------------------5--------
|--------------------------------------------5--------
|--2-2-2-5-3-2-2-2-2-3-2-0-2-2-2-5-3-2-2-2-2-3--------
|_|_| |_|_| |_|_| |_|_| |_|_| |_|_| |_|_|
|-----------------------------------------------------
|-----------------------------------------------------
|--------------------------------------------5--------
|--------------------------------------------5--------
|--------------------------------------------3--------
|--2-2-2-5-3-2-2-2-2-3-2-0-2-2-2-5-3-2-2-2-2----------
|_|_| |_|_| |_|_| |_|_| |_|_| |_|_| |_|_|
End Fig. 1
Fig. 2
|--------------------------------------------------
|--------------------------------------------------
|------------------------------3-------------------
|--5>4-------------------------3---5-4-------------
|--5>4-------------------------1---5-4-------------
|--3>2-2-2-2-2-2-2-2-2-2-3-0-0-----3>2-2-2-2-2-2-2-
|___|_| |_|_|_| |_|_|_| |_|_|__ |___|_| |_|_|_|
|-----------------
|-----------------
|--------------5--
|--------------5--
|--------------3--
|--2-2-2-3-0-0----
|_|_|_| |_|_|__
End Fig. 2
Fig. 3
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|------------------------------------------------------
|------------------4-------------------3---------------
|------------------4-------------------3---------------
|------------------2-------------------1---------------
|--2h3h5-2h3h5-0-0-----2h3h5-2h3h5-0-0-----2h3h5-2h3h5-
|_|_| |_|_| |_|_| |_|_| |_|_| |_|_|
|-----------------------------
|-----------------------------
|------4-------------------8--
|------4-------------------8--
|------2-------------------6--
|--0-0-----2h3h5-2h3h5-0-0----
|_|_| |_|_|
End Fig. 3
Fig. 4
|----------------------------------
|----------------------------------
|----------------------------------
|------------------2-------4-3-2---
|--2-------4-3-2-----3-2-1-------3-
|----3-2-1-------3-----------------
Fig. 5
|------------------------------------------------------
|------------------------------------------------------
|----------9>8-12>11---------6>5-------------9>8-12>11-
|----------9>8-12>11---------6>5-6>5---------9>8-12>11-
|----------7>6-10>-9---------4>3-6>5---------7>6-10>-9-
|--0-0-0-0-----------0-0-0-0-----4>3-0-0-0-0-----------
|----------------
|----------------
|----------------
|----------9-8-7-
|--7-----7-------
|----8-7---------
End Fig. 5
Fig. 6
|------------------------------------------------
|------------------------------------------------
|--5-----------------8-----7-----------12-----11-
|--5-----4-----5-----8-----7-----8-----12-----11-
|--3-----4-----5-----6-----5-----8-----10------9-
|--------2-----3-----------------6---------------
That is basically all the rhythm parts; though there are a few details
left out. Use your ears--you should be able to figure it out.
Captor of Sin
Haunting the Chapel
Tabbed by Mike Kimball
If it looks
Fm
***ed up, try changing the font to somethingnon-proportional, such as Courier or Monaco, size 12, with 6" line width.
Fig. 1
|-----------------------------------------------------
|-----------------------------------------------------
|-----------------------------------------------------
|--------------------------------------------5--------
|--------------------------------------------5--------
|--2-2-2-5-3-2-2-2-2-3-2-0-2-2-2-5-3-2-2-2-2-3--------
|_|_| |_|_| |_|_| |_|_| |_|_| |_|_| |_|_|
|-----------------------------------------------------
|-----------------------------------------------------
|--------------------------------------------5--------
|--------------------------------------------5--------
|--------------------------------------------3--------
|--2-2-2-5-3-2-2-2-2-3-2-0-2-2-2-5-3-2-2-2-2----------
|_|_| |_|_| |_|_| |_|_| |_|_| |_|_| |_|_|
End Fig. 1
Fig. 2
|--------------------------------------------------
|--------------------------------------------------
|------------------------------3-------------------
|--5>4-------------------------3---5-4-------------
|--5>4-------------------------1---5-4-------------
|--3>2-2-2-2-2-2-2-2-2-2-3-0-0-----3>2-2-2-2-2-2-2-
|___|_| |_|_|_| |_|_|_| |_|_|__ |___|_| |_|_|_|
|-----------------
|-----------------
|--------------5--
|--------------5--
|--------------3--
|--2-2-2-3-0-0----
|_|_|_| |_|_|__
End Fig. 2
Fig. 3
|------------------------------------------------------
|------------------------------------------------------
|------------------4-------------------3---------------
|------------------4-------------------3---------------
|------------------2-------------------1---------------
|--2h3h5-2h3h5-0-0-----2h3h5-2h3h5-0-0-----2h3h5-2h3h5-
|_|_| |_|_| |_|_| |_|_| |_|_| |_|_|
|-----------------------------
|-----------------------------
|------4-------------------8--
|------4-------------------8--
|------2-------------------6--
|--0-0-----2h3h5-2h3h5-0-0----
|_|_| |_|_|
End Fig. 3
Fig. 4
|----------------------------------
|----------------------------------
|----------------------------------
|------------------2-------4-3-2---
|--2-------4-3-2-----3-2-1-------3-
|----3-2-1-------3-----------------
Fig. 5
|------------------------------------------------------
|------------------------------------------------------
|----------9>8-12>11---------6>5-------------9>8-12>11-
|----------9>8-12>11---------6>5-6>5---------9>8-12>11-
|----------7>6-10>-9---------4>3-6>5---------7>6-10>-9-
|--0-0-0-0-----------0-0-0-0-----4>3-0-0-0-0-----------
|----------------
|----------------
|----------------
|----------9-8-7-
|--7-----7-------
|----8-7---------
End Fig. 5
Fig. 6
|------------------------------------------------
|------------------------------------------------
|--5-----------------8-----7-----------12-----11-
|--5-----4-----5-----8-----7-----8-----12-----11-
|--3-----4-----5-----6-----5-----8-----10------9-
|--------2-----3-----------------6---------------
That is basically all the rhythm parts; though there are a few details
left out. Use your ears--you should be able to figure it out.
contributions:
Most popular songs Slayer
- 11 Expendable Youth
- 12 Spirit In Black
- 13 Blood Red
- 14 South Of Heaven
- 15 Necrophilliac
- 16 Kill Again
- 17 Hell Awaits
- 18 Haunting The Chapel
- 19 Captor Of Sin
- 20 Aggressive Perfector