At Dawn They Sleep Slayer
Slayer
At Dawn They Sleep
Hell Awaits
Tabbed by Mike Kimball
If it looks
non-proportional, such as Courier or Monaco, size 12, with
6" line width.
Fig. 1
Gtr. 1
|--------------------------------------------[-----------]
|--------------------------------------------[-----------]
|----------5-4-------------------------------[-----------]
|--------6-------------5-4-------------------[---7-6-----]
|--------------------6-------------4-3-------[-8-----7-6-]
|--0-0-0-------0-0-0-------0-0-0-5-----4-3---[-----------]
Gtr. 2
|--------------------------------------------[-----------]
|--------------------------------------------[-----------]
|----------8-7-------------------------------[-no change-]
|--------9-------------8-7-------------------[-----------]
|--------------------9-------------7-6-------[-----------]
|--0-0-0-------0-0-0-------0-0-0-8-----7-6---[-----------]
Fig. 2
Eighth note open E string, all downstrokes.
Regular power chords.
0-0-0-0-
0-0-0-0-
Fig. 3
|---------------------------------------------------
|---------------------------------------------------
|---------------------------------------------------
|--------------------------5---5--------------------
|------------3-2-----------5---5-------------3-2----
|--2-2-2-2-4-----3-2-2-2-2-3---3---2-2-2-2-4-----3--
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|----------5---7---------------------------5---5-----
|----------5---7-------------3-2-----------5---5-----
|--2-2-2-2-3---5---2-2-2-2-4-----3-2-2-2-2-3---3-----
|-----------------------------------
|-----------------------------------
|-----------------------------------
|------------------7-------5--------
|------------3-2---7-------5--------
|--2-2-2-2-4-----2-5-------3--------
Fig. 4
Gtr. 1
|------------------------------6----------
|--------------------------6-8---8-7~~~~--
|----------------7-6---6-7----------------
|----7-6---6-7-8-----7--------------------
|--8-----7--------------------------------
|-----------------------------------------
Gtr. 2
|-----------------------------------------
|------------------------------6----------
|----------------------------7---7-6~~~~--
|----------------7-6---6-7-8--------------
|----7-6---6-7-8-----7--------------------
|--8-----7--------------------------------
Fig. 5
Gtr. 1
|--------------------|-----------------|-----------------
|--------------------|-----------------|-----------------
|--------------------|-----------------|-----------------
|----------3---------|-------1-------4-|-------1---------
|----------3---------|---3-2-----6-5---|---3-2-----6-5---
|--0-0-0-0-1-0-0-3-1-|-1-------4-------|-1-------4-----6-
Gtr. 2
|--------------------|-----------------|-----------------
|--------------------|-----------------|-----------------
|--------------------|-------3-------6-|-------1---------
|-- same as gtr.1 --|---5-4-----8-7---|---3-2-----6-5---
|--------------------|-3-------6-------|-1-------4-----6-
|--------------------|-----------------|-----------------
Fig. 6
|-----------------------------|------------------------
|-----------------------------|------------------------
|--9-------9-----9/10-9-------|------------------------
|--9-------9-----9/10-9-------|----------------7-------
|--7-------7-----7/8--7-------|---7-8---7-8-10-----7-8-
|----0-0-0---0-0--------0-0-0-|-0-----0----------0-----
|-----------------------------------------------
|-----------------------------------------------
|-----------------------------------------------
|--------7-8----------------7-------------------
|----7-8-------7-8---7-8-10-----7-8---7-8-------
|--0---------0-----0----------0-----0-----8-10--
Fig. 7
|--------------------|--------------------------
|--------------------|--------------------------
|------9-9-----10-10-|--------------------------
|------9-9-----10-10-|-2---2---3---3------------
|--7-7-----8-8-------|-2---2---3---3------------
|--------------------|-0---0---1---1---00000000-
|-----------
|-----------
|-----------
|-----------
|-----------
|--11111111-
Fig. 8
|------------------|-------------------
|------------------|-------------------
|------------------|-------------------
|--4-------4-5-----|----------4---3----
|--4-------4-5-----|----------4---3----
|--2-0-2-0-2-3-2-0-|--2-0-2-0-2---1----
Fig. 9
|-----------------------------------------------------
|-----------------------------------------------------
|--9---9-9-9-9-9-12-9---9-9-9-9-9-11-9---9-9-9-9-9-10-
|--9---9-9-9-9-9-12-9---9-9-9-9-9-11-9---9-9-9-9-9-10-
|--7---7-7-7-7-7-10-7---7-7-7-7-7-9--7---7-7-7-7-7-8--
|-----------------------------------------------------
|-------------------
|-------------------
|--9-8---8-7---7-6--
|--9-8-8-8-7-7-7-6--
|--7-6-8-6-5-7-5-4--
|------6-----5------
Fig. 10
|------------------|-------------------
|------------------|-------------------
|------------------|--8-7---7-6---6-5--
|--4-------4-5-----|--8-7-7-7-6-6-6-5--
|--4-------4-5-----|--6-5-7-5-4-6-4-3--
|--2-0-2-0-2-3-2-0-|------5-----4------
Ending: Repeat Fig. 2
At Dawn They Sleep
Hell Awaits
Tabbed by Mike Kimball
If it looks
Fm
***ed up, try changing the font to somethingnon-proportional, such as Courier or Monaco, size 12, with
6" line width.
Fig. 1
Gtr. 1
|--------------------------------------------[-----------]
|--------------------------------------------[-----------]
|----------5-4-------------------------------[-----------]
|--------6-------------5-4-------------------[---7-6-----]
|--------------------6-------------4-3-------[-8-----7-6-]
|--0-0-0-------0-0-0-------0-0-0-5-----4-3---[-----------]
Gtr. 2
|--------------------------------------------[-----------]
|--------------------------------------------[-----------]
|----------8-7-------------------------------[-no change-]
|--------9-------------8-7-------------------[-----------]
|--------------------9-------------7-6-------[-----------]
|--0-0-0-------0-0-0-------0-0-0-8-----7-6---[-----------]
Fig. 2
Eighth note open E string, all downstrokes.
Regular power chords.
0-0-0-0-
F
-E
-Eb-0-0-0-0-0-C#
-C
-B-00-0-0-0-
F
-E
-Eb-0-G
-F#
-F-0-D
-C#
-C-0Fig. 3
|---------------------------------------------------
|---------------------------------------------------
|---------------------------------------------------
|--------------------------5---5--------------------
|------------3-2-----------5---5-------------3-2----
|--2-2-2-2-4-----3-2-2-2-2-3---3---2-2-2-2-4-----3--
|----------------------------------------------------
|----------------------------------------------------
|----------------------------------------------------
|----------5---7---------------------------5---5-----
|----------5---7-------------3-2-----------5---5-----
|--2-2-2-2-3---5---2-2-2-2-4-----3-2-2-2-2-3---3-----
|-----------------------------------
|-----------------------------------
|-----------------------------------
|------------------7-------5--------
|------------3-2---7-------5--------
|--2-2-2-2-4-----2-5-------3--------
Fig. 4
Gtr. 1
|------------------------------6----------
|--------------------------6-8---8-7~~~~--
|----------------7-6---6-7----------------
|----7-6---6-7-8-----7--------------------
|--8-----7--------------------------------
|-----------------------------------------
Gtr. 2
|-----------------------------------------
|------------------------------6----------
|----------------------------7---7-6~~~~--
|----------------7-6---6-7-8--------------
|----7-6---6-7-8-----7--------------------
|--8-----7--------------------------------
Fig. 5
Gtr. 1
|--------------------|-----------------|-----------------
|--------------------|-----------------|-----------------
|--------------------|-----------------|-----------------
|----------3---------|-------1-------4-|-------1---------
|----------3---------|---3-2-----6-5---|---3-2-----6-5---
|--0-0-0-0-1-0-0-3-1-|-1-------4-------|-1-------4-----6-
Gtr. 2
|--------------------|-----------------|-----------------
|--------------------|-----------------|-----------------
|--------------------|-------3-------6-|-------1---------
|-- same as gtr.1 --|---5-4-----8-7---|---3-2-----6-5---
|--------------------|-3-------6-------|-1-------4-----6-
|--------------------|-----------------|-----------------
Fig. 6
|-----------------------------|------------------------
|-----------------------------|------------------------
|--9-------9-----9/10-9-------|------------------------
|--9-------9-----9/10-9-------|----------------7-------
|--7-------7-----7/8--7-------|---7-8---7-8-10-----7-8-
|----0-0-0---0-0--------0-0-0-|-0-----0----------0-----
|-----------------------------------------------
|-----------------------------------------------
|-----------------------------------------------
|--------7-8----------------7-------------------
|----7-8-------7-8---7-8-10-----7-8---7-8-------
|--0---------0-----0----------0-----0-----8-10--
Fig. 7
|--------------------|--------------------------
|--------------------|--------------------------
|------9-9-----10-10-|--------------------------
|------9-9-----10-10-|-2---2---3---3------------
|--7-7-----8-8-------|-2---2---3---3------------
|--------------------|-0---0---1---1---00000000-
|-----------
|-----------
|-----------
|-----------
|-----------
|--11111111-
Fig. 8
|------------------|-------------------
|------------------|-------------------
|------------------|-------------------
|--4-------4-5-----|----------4---3----
|--4-------4-5-----|----------4---3----
|--2-0-2-0-2-3-2-0-|--2-0-2-0-2---1----
Fig. 9
|-----------------------------------------------------
|-----------------------------------------------------
|--9---9-9-9-9-9-12-9---9-9-9-9-9-11-9---9-9-9-9-9-10-
|--9---9-9-9-9-9-12-9---9-9-9-9-9-11-9---9-9-9-9-9-10-
|--7---7-7-7-7-7-10-7---7-7-7-7-7-9--7---7-7-7-7-7-8--
|-----------------------------------------------------
|-------------------
|-------------------
|--9-8---8-7---7-6--
|--9-8-8-8-7-7-7-6--
|--7-6-8-6-5-7-5-4--
|------6-----5------
Fig. 10
|------------------|-------------------
|------------------|-------------------
|------------------|--8-7---7-6---6-5--
|--4-------4-5-----|--8-7-7-7-6-6-6-5--
|--4-------4-5-----|--6-5-7-5-4-6-4-3--
|--2-0-2-0-2-3-2-0-|------5-----4------
Ending: Repeat Fig. 2
contributions:
Most popular songs Slayer
- 11 Dittohead
- 12 Expendable Youth
- 13 Spirit In Black
- 14 Blood Red
- 15 South Of Heaven
- 16 Necrophilliac
- 17 Kill Again
- 18 Hell Awaits
- 19 Haunting The Chapel
- 20 Captor Of Sin